
Identifying Characteristics
- easily recognizable Romantic typeface
- vertical stress
- slight serif bracketing
- cupped top serifs on b,h,l, not parallel to baseline in some versions
- top & bottom serifs on C
- vertical tail of Q
- small upper bowl of g
- usually no middle serif on w
- large ball terminal of c



Bodoni is the name given to a series of serif typefaces first designed by Giambattista Bodoni (1740–1813) in 1798. The typeface is classified as didone modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville, that of increased stroke contrast and a more vertical, slightly condensed, upper case, but taking them to a more extreme conclusion. Bodoni's typeface has a narrower underlying structure with flat, unbracketed serifs. The face has extreme contrast between thick and thin strokes, and an overall geometric construction.
Bodoni admired the work of John Baskerville and studied in detail the designs of French type founders Pierre Simon Fournier andFirmin Didot. Although he drew inspiration from the work of these designers,[citation needed] above all from Didot, no doubt Bodoni found his own style for his typefaces, which deservedly gained worldwide acceptance among printers.
Many digital versions of Bodoni suffer from a particular kind of legibility degradation known as "dazzle" caused by the alternating thick and thin strokes, particularly from the thin strokes being very thin at small point sizes.
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